From the personal growth throughout experiences and navigating emotional intelligence we grow into the desired state of success. The name of the concept “Graces” was derived from the personal growth of an individual’s emotional intelligence that could only be acquired by inner peace and the interactive social relationship with others.
Best representing the concept of growth is the tree of life illustrated in the form of a geometric approach, where the structure is acquired from the repetitive formation of the arabesque pattern that mimics our journey of learning from past experiences.
The culture awareness of the surrounding heritage and formation of generations with certain traditions in the Middle Eastern region guides the piece throughout its growth into all aspects of memories created by the wearer. Thus becoming a faithful companion bearing the fruits of time and experiences.
This very unique piece units the beauty of Middle Eastern infinite continuity carved in the heart of the earliest architectural monuments, uniting the past with the present and forecasting the bright future of every successful moment. This unity drives this artistic sensation into vast realms of conversing with the inner self is extended to the rotatable technique that makes this unit not only unique but a breakthrough in the jewelry industry worldwide due to the fixed whole part and a rotating double sided precious gems, the item becomes eternal.
Life changes and growth means development, the design is manipulative, by the hinges at the tip of the branch of every flower. Every individual can turn the leaves into a Spring/Summer mood illustrated by (Ruby and Emerald gem stones) or flipped to the other side for Autumn/Winter mood illustrated by (Citrine and Diamond gem stones), currently this award winning extraordinary piece is on display and available for purchase at 55fifty7 diamond studio.
Aya Charife’ is a multi-award winning interior architect, artist, and jewelry designer. She has the ability to fine tune all in one describing her pieces and work as an anomaly to the present state not many may find adherent to the current period of time, but it is definitely a futuristic impact on the development of art and design society.
She elaborates “I do not create for now, I simply take the beauty of past memories and revive them until my subconscious mind speaks it, then I implement for a timeless future. We are made of merely any matter and all the rest is soul and subjective spirit, if we tend to believe that the approach of success is through a single sector of comprehensive deliverability, then we might as well say a heart without the brain can function independently. The argumentative success of design and art is composed of various attributions that should unite for a cause. We are meant to function in life with a versatile simultaneous productivity, this itself requires a mind free of other’s autonomy. Once we free ourselves from these boundaries, we grow.”
She adds, “The consistency of any behavioral exchange in art marks a rewarding end product where the combination is a living illustration of our functionality in life, and the more we present of different sectors the more we branch ourselves into various opportunities of satisfying the mental approach. In other words to implement perfectly is to fulfill a desire. There has been that controversy of reaching out to a multi sector drains the focus on a single successful aspect, and I simply counter represent by summarizing into delegating work to the trustworthy and the true extension of your ambition can simply bring closer versatility to implementation and work.